Category: Movies & Entertainment (Page 2 of 7)

Oscar nominations 2017 Manchester by the sea

Academy Award nominations 2017: Review of all the Oscar Nominated Movies

The Oscar 2017 is just a few hours away. Unlike other years, where I watch these after the award ceremony, I tried my best to finish at least the Oscar Nominated movies (Best Film Category).

Each of these movies are good in their own right. I do have my favorite of it all, which I’ll rank at the end of this post.

So, here they are, 8 Oscar nominated Movies, with their short-reviews and in no particular order.

The Hidden Figures:

In the backdrop of a time when USA’s space agencies were fighting the space race, the country had racism embedded in its system. Even the country’s top minds working at NASA were not untouched by it.

Oscare nominations 2017 The Hidden Figures

The story is about 3 Black Women mathematicians, working at NASA, who are brilliant but the system doesn’t give them the ‘space’ to grow more than what they currently are. Even when they visibly excel in doing what they do. While one woman struggles to complete her work because she has to use the washroom which is a mile away on the other end of the campus and she being black, cannot use the same ones as the other ladies. Another woman who is due promotion based on her work is not able to break the ceiling and similarly another is interested in joining the engineering team but cannot do so with her current degree and the required degree is not available in a college which allows black woman.

The characters played by Taraji P. Henson, Octavia Spencer, Janelle Monáe are representations of the racism at that time and the portrayal is brilliant. 

Even though the struggles vary in their own, the underlying theme is of how these women overcome these issues and make themselves heard.

Ably supported by Kevin Costner and Jim Parson, the movie has some amazing insights into that era. Watch it for the uplifting real-life story.

Hell of High Water:

The movie is about Bonding. Two brothers, played by Ben Foster and Chris Pine, bonding over a series of robberies they carry out to save their ranch they lost to a bank. Two Sheriffs, one half-Red-Indian half-Mexican, played by Gil Birminghim, and the other, a typical cow-boy played by Jeff Bridges, trying to crack these series of robberies.

Oscare nominations 2017 hell-or-high-water

This movie is like the yesteryear’s’ cowboy confrontation. The battle, between the two, builds up through hell and ends on a calming high. The idea of “hell or high water” or to push to achieve, no matter what it takes, is what drives both the brothers-in-crime and the sheriffs.

The story exposes a lot of things along the way. The ageing sheriff’s push to go with his instincts and inability to see sense in his partner, the varying forces which drive the brothers to go on a robbing-spree and a lot of male-bonding along the way.

Watch this movie for a classy cow-boy feel with a no-nonsense story to accompany it.

Hacksaw Ridge:

I must admit that I’m not a fan of war-movies and yet I found this to be an entertaining watch. Probably this was more about the conviction to stick to one’s value-system than giving in to the demands of the war. Not to mislead you, this movie sure has some of the most gory-war blood-bath scenes like all others before it.

Oscar nominations 2017 Hacksaw Ridge

The movie is about a devout Christian Desmond Doss who believes that he does not have the right to kill anyone but joins the US Army to fight the Japanese. The struggle to make his fellow soldiers, his superiors and even the judges at his Court Marshall is what makes the movie stand out.

With a good ensemble cast to go along, Andrew Garfield, brings out a sensitive performance while playing the protagonist who is adamant to not even pick up a Rifle.

Watch it if you’re a war-movie fan. Watch it even if you aren’t one. I’m sure you’ll like it in parts.


Arrival as a plot has a lot of similarities with Christopher Nolan’s Interstellar, although not too complex like it. It appears to be a cross-section between the sublime Interstellar and a tad-melodramatic Martian. Capturing similar genres of space-cum-time-travel, Arrival is entertaining nevertheless.

Oscar nominations 2017 arrival

Arrival banks heavily on its lead, Amy Adams, to anchor the story. The curiosity build-up, thanks to the interactions between our lead and the “aliens”, retrenches your attention. You’re always on, “what’s more to it, than this?”

The plot centralizes on a world where 12 UFO’s have landed on earth and naturally scared the world powers of the time. There’s a temporary cease-fire agreed upon before attacking the Aliens. Meanwhile, Amy Adams, who happens to be a language expert, becomes part of the team that will try to get a response to the ultimate question, “What is the purpose of your visit?” from the Aliens.

Apart from Amy, we also have, Jeremy Renner, who appears to be just another spoke in the wheel even though he does enjoy ample screen time.

Arrival throws up questions, about empathy, and perhaps that was the purpose of it, however without the investing performance from Amy, this could have easily fallen flat.

Cinematography is particularly interesting and breathtakingly raw, which makes it believable.

Arrival is entertaining, however, it misses out in threading plotlines with casting, which this story definitely deserved.

Watch it for the sheer joy of Amy Adams bring to life the story, all on her own.


There are very few father-son movies which are THIS real and bereft of melodrama than fences. In a never-before-seen avatar of Denzel Washington, this movie hits you in small bouts of realization much after it is over. It is as real as it can get.

Oscar nominations 2017 Fences

In one particular scene, Denzels friend, Jim, playe, say Stephen Henderson, “Some build fences to keep people out, others build it to keep people in”. This right here, sums up the philosophy that the movie tries to project. The entire movie has been shot inside one such fence.

Denzel plays a father working hard to make ends meet, week-after-week, bringing-in his paycheck to support his wife and kid, and a son from his previous marriage. He is a typical dad who is trying to push others to not make the same mistakes he did and the lessons he gained as a black man in a white-dominated-world where they live. As expected, this becomes a cause of conflict with his son who wants to play football. Going by this, you’d assume it’ll be like the hundred-odd-movies that talk about dreams, reconciliation and how to take inspiration out of it. Fences is different. Not in its story, but the treatment and the layers it touches and unearths with each scene. One conflict at a time.

The question of whether it is love that binds families together or a sense of duty is the central theme that Denzel, the director tries to help us ask!

The ensemble is brilliant. From Viola Davis putting in a wonderful performance to Denzel Washington acing it in the shoes of a tough father, the movie is filled with heartfelt performance.

It brings in a sense of reality and talks about racism and issues concerning the Black community at a family-level.


There is a sense of nostalgic addiction we have with certain places, time and the people we spend it with. They stay with us over time and shapes who we are. Moonlight captures the journey of a child with troubled childhood, finding solace in the company of a friend, being betrayed and how it shapes up his life.

Oscar nominations 2017 Moonlight

Moonlight works in parts, part disconnected, part getting its story heard without shouting, and mostly in the silent stares. It talks about the difficulty of coming out as Gay and how without the support of a family, it gets even difficult. It also talks about troubled childhood, drug addictions and seeking an identity for yourself in a world of unknowns.

The plot takes shape on how a young Chiron lives with a drug-addict mother who cannot take care of him, and is visibly bad at it. He meets a father-figure in Mahersha Ali , who tries to help him get through  difficult childhood before the struggling teenage years begin. The movie is about the three phases of Chiron’s life and his coming-of-age to become a man.

The best parts of the movie lies in its silences where the characters speak more. Special mention for Trevante Rhodes, playing the older Chiron, for an amazing performance.

Watch this to feel the struggles of a child confused about his sexual identity in a difficult neighborhood and the how it makes us feel.



Lion, based on a real story, hauntingly captures the emotions of a young man’s life who yearns to get back to his mother and brother. Evoking this on the screen, with a solid performance by Dev Patel, has been done brilliantly by director Garth Davis.

Oscar nominations 2017 lion

The longing and emotional outreach of a kid who got lost and adopted by an Australian couple is a story that will work for any audience. Lion takes you to the start of the story, on how the kid got lost, and doesn’t add up any surprises on its way. What it does well is, brings out the thought-processes of each of its cast.

The young Saroo, played by Sunny Pawar, puts you in his shoes all along the journey and the able photography depicting the sad reality will scare you.

You come to know of why the adopted parents of Saroo (Dev patel), played by Nicole Kidman and David Wenham, decided to adopt and even at the expense of difficulties associated with raising adopted kids, they were ready for it.

The journey of Saroo’s life is filled with people who try to exploit him and the people who support him, including his on-screen girlfriend played by Rooney Mara, and each of these characters project and represent ideas in themselves that vary with great length.

Watch it for the amazing performances and a real-life story capturing the struggle of a kid who lost his way home.

La La Land:

A musical from Hollywood? Well, yes, there aren’t many in recent years and probably makes La La Land stand out.

Oscar nominations 2017 la-la-land

The plot is about a girl-meets-boy, both struggling to make it big. One is trying to make as a jazz player and the other as an actress. One gets a break and things get weird, expected? How this affects their relationship and how they come together to change it, is what La La Land is all about. However, this being a musical, there’s of course more to it. It is about the moments in-between. The songs, the cinematography, the costume and all-of-together in a story that flows like music.

The chemistry between Ryan Gosling and Emma stone is like a hot knife on a butter. Smooth.

It isn’t something you’ve not seen before but it is the treatment and the ability to connect with the audience is what makes La La Land special.

Watch it if you’re a hopeless romantic who lives by collating small moments in life.

Manchester by the Sea:

This is easily the Best movie at the Oscars this year. Tragic and Sad, and yet so real. Casey Afleck makes you connect with the distraught and tragic protagonist of this story, liking no one else could.

The movie is about a family. A family that was. Two brothers, one diagnosed with cancer and his wife leave him and his son. Another brothers’ wife leave him too. Why? Since it comes in the later part of the movie, I’ll not spoil it for you.

The movie doesn’t centralize itself on this, but on the emotional state of its characters, who are trying to deal with these emotions, in their own way. How death changes people and how people deal with these emotions, is what the movie is all about.

The movie touches a wide range of emotions without putting an extra effort. It is very real and believable.

It is that kind of sad movie which you’ll love to watch, drain out your emotions and connect with your own family. Watch it!

Now, that you’ve read all the reviews, my favorite of them all is, Manchester by the Sea. Although, I do have a feeling La La Land might win.

Which ones did you like ?

Raees Movie review

Raees Review: It’s worth a few whistles

There’s a scene in Raees where Shahrukh Khan beats up a “Saeth” while he was watching an Angry-young-man-avatar of Amitabh on screen,  where Amitabh is seen beating the “always-evil” Prem Chopra!

Raees’ storyline also reminds you of those Masala entertainers from the 80’s with multiple sub-plots infused in it. The bad guy isn’t actually “bad” but is a Robinhood at heart.
Raees Movie review
Raees is entertaining,  no doubt. But it relies heavily on the performances of Shahrukh and Nawazuddin, without which the movie fails to take-off in the second half. It just doesn’t hit the levels you’d expect it to. The build-up in the first half for the ultimate clash between Raees (played by Shahrukh) and Majmudar (played by Nawazuddin) is exciting and laced with amazing dialogues. But as the film develops it just tries to fit-in a little too much and strays away.
Watching Shahrukh in one of his best performances is definitely a treat. He essays the role of a bootlegger businessman delivering catch-phrase dialogues with a sense of charm that only he could have. It’s hard to find a frame where he misses the beat. Be it in the over-the-top action sequences where he’s bad ass and just cannot tolerate anyone calling him a “battery” or his “jugalbandi” of sorts in confronting Majumdaar Saaheb. Or being romantic with the leading lady, Mahira Khan, Shahrukh nails it with perfection.
Nawazuddin Siddiqui, as always, delivers in his character as the Cop whose mission is to stop Raees. He’s a no-nonsense cop who belts one-liners and knows how to be funny. Scenes with Nawaz and Shahrukh are the highlight of the film. While Shahrukh adds in the masala, Nawaz keeps it grounded.
Background score and the Music of the film has and old charm like the cinematography. The eye for periodic detail by Rahul Dholakia (director) is visible but the screenplay falters as the story develops. Dholakia struggles to find the balance between fast-paced drama and touching character subtleness.
The movie is largely about Raees and Majmudar, and Dholakia ensures that it remains so. However, in an attempted push for commercialization, the beauty of numerous nuances get lost. The conflict which Raees undergoes after a gunaah ,he commits or how Mahira (his wife) consoles him post that or even the relationship between his partner-in-crime Siddique (played by the talented Mohd. Zeeshan Ayub) are the mis-hits. And these are the details that make you feel, something is amiss.
Another problem which the film faces is the “need to make” Raees the good guy, especially towards the second half.
Raees is a good movie which suffers the curse of the second-half but still survives thanks to Shahrukh and Nawazuddin. Watch it for the performances and the dialogues which are worth a whistle.
I’m going with 3/5 for Raees. Go entertain yourself.

Ye Taara, Wo Taara

One of the inspiring examples of cultural assimilation is this song from Swades.

Ye taara wo taara.. har taara..
dekho jise bhi lage pyaara”

This song is a pivotal point and a concluding suggestion to the problem the lead character is trying to solve. The problem of convincing families in villages to send their kids to school. The lead character visits 4 different families with varied issues/excuses for not sending their kid to school.

While the village heads outrightly reject the idea of “hamare bachchan aur unke bachchan ke saath?!” quite rhetorically. The other families have child marriage, poverty, child labour to carry on the family occupation and “ladkiyan kya karengi itna padh likh ke?”. 

The film was made in 2004 and there’s hardly a doubt that things have drastically changed since then. A visit to any village will introduce you to girls being married off before 18. And the ones who aren’t, are made to “learn household chores”. I mean, do they have to learn some form of martial arts? Otherwise this doesn’t make sense at all.

The whole idea of “ladki ki shaadi karwani hai” has been made into a Mount Everest to climb in our societies! But then why wouldn’t it be ? When even educated folks demand for dowry for marriage. Some of them might even be reading this post as well.

The nuances that Swades touched and brilliantly depicted deserves some introspection. Has anything changed ? Or will it ever be ?

The song ends with kids playing together.  Each from different caste and sensibilities. Together.  Is that a ray of hope? Or these kids also be moulded by the “tradition”? 

Jaane wo kaise log the

Yesterday I shared one of my all time favorite, “Jinhe naaz hain hind par, wo kahan hain ?“.

Sharing another one, “Jaane wo kaise log the jinke pyaar ko pyaar mila” from the same movie, “Pyaasa”.

The beauty is not limited to the song but how before the mukhda begins, a sort of prologue to the song. Like it was a story in itself.

Humko apna saaya tak.. aksar begaar mila..

Hamne to jab kaliyan maangi.. kaanton ka haar mila.. 

I clearly remember the first time I watched Pyaasa, I took my Dada’s shawl and draped it like Guru Dutt and tried my best to sing this. Walking in front of the mirror, holding out my arms on the corners of the door, and being at my gloomy best.

The lyrics of the song, written by Sahir Ludhiyanvi, pierce through you. Especially, since the nature of the song-format is such that every word has a clarity, giving meaning to the scene. And of course, Guru Dutt, the legend at his very best.

I’d request you to take some time and watch this gem of a movie, Pyaasa, If you haven’t. It not only is Guru Dutt’s best but also has some of the best songs of that era. Thanks to Sahir Ludhiyanvi.

Jinhe naaz hai hind par wo kahan hain ?

Whenever I watch any of Guru Dutt’s classic, a question pops up in my mind, always!

How did we reach to what we’ve been watching now, considering many other of his classics were released in 50’s!

Anyways, I could go on and on about Guru Dutt, but that’s for another day and needs a lot more detailing.

Today, I just wanted to share this video of “Jinhen naaz hai Hind pe wo kahan hain?”. Of course, I’ve shared this on multiple occasions and I never get tired to watch or share it again. This is my attempt to make his films reach new audiences.

“Madad chahti hai ye hawwa ki beti..
Yashoda ki hamjins, Radha ki beti..
Payammar ki Ummat.. Zulekha ki beti..
Jinhen Naaz hain hind pe, wo kahan hain?”

Sahir Ludhiyanvi simplified his original, “Chakley” to make this reach out to the masses for the film, “Pyasa”. To think how much our new-age “filmmakers” have to dumb-down content makes me laugh at what they did in 50’s!

The song although just captures the life in Kothas amidst red-light areas can be easily transported to any setting to ask, “Jinhen naaz hai hind pe wo kahan hain ?”

And it’s not just about the beauty of the song but the less over-powering music by SD Burman and the visible pain in Guru Dutt’s eyes and the adaegi .

How I wish to be born in times when he was alive.


Kapoor and Sons Review

Top 10 Bollywood movies for 2016

Here’s my list of top 10 Bollywood movies for the year 2016!

Bollywood had an average year as far as blockbuster successes are concerned. But I am happy that most filmmakers tried to come up with something new. Hope to see more of that effort work its way in 2017 as well.

[Here’s last year’s list of Top10 Bollywood movies]

10. Udta Punjab:

Abhishek Chaubey’s Udta Punjab brings parallel stories converging onto the drug menace in punjab. With powerful performances from Alia Bhat, Shahid Kapoor and Diljit Dosanjh, this movie, even with a few glaring issues gets the message across.

9. Sultan:

Ali Abbas Zafar’s Sultan is a film made with a big heart. Even with melodramatic freedom that one can expect from a Salman-starrer, the film was an entertaining love story with wrestling as its backdrop. One of those rare Salman Khan movies where you see him making dedicated effort. Also starring Anushka Sharma, Sultan was a family entertainer.

8. Dear Zindagi

Reema Kagti’s Dear Zindagi belongs to Alia who shoulders the movie all on her own. The vibe that this girl brings along is magical, the therapy sessions in help, not only Alia but the Audience as well. Shahrukh Khan plays an extended cameo which definitely adds value to the film and anchors the movie to a feel-good tag.

[Here’s a detailed review of the film]

7. Ae dil hai mushkil

Heartbreaks are the USPs of a good love story. Add a dose of unequivocal love as the central theme and you have a story that clicks. Ae Dil hai Mushkil does just that. The time when the hero leaves with his bag, as firecrackers burst in the sky, with teary eyes and an Arijit Singh song in the background. You get the picture, don’t you?

It will be very MUSHKIL for your DIL to not like this.

[Here’s a detailed review of Ae Dil hai Mushkil]

6. Aligarh

Hansal Mehta’s Aligarh brings out one of the best performances this year from manoj Bajpai. The movie talks about the real life issue of Homosexuality and how an Aligarh professor was suspended after a sting operation. With the amazingly talented Rajkumar Rao playing the role of a journaist who befriends Manoj in the movie, this film was powerful.

5. Parched

Leena Yadav’s Parched, on the outset appears to be heavy “art” which might put off a lot of viewers who don’t watch similar content. However, the movie even when touching dark and grim topics, keeps tight on an engaging storyline. The three female leads, Radhika Apte, Tanishka Mukherjee and surprisingly Surveen Chawla, do a phenomenally good job.

4. Neerja:

Ram Madhvani’s Neerja is an amazingly crafted Biopic that brought to light Neerja Bhanots story to light. I’ll admit, I just don’t like Sonam Kapoor. But in Neerja, she definitely impressed. Shabana Azmi, as Sonam’s mother, just wells up your eyes with her sincerity to the role.

3. Dangal:

It’s an Aamir Khan film. Enough said. Right from the start when the trailer dropped, it looked awesome and it sure was. The detailing in terms of wrestling and culmination of numerous issues in the framework of wrestling was beautiful. The young actors portraying the Phogat Sisters on whose life the film is based were the true heroes of the film. Director Nitesh Tiwari has done a fab job.

2. Pink

Pink is a movie which makes you think not just while you’re watching it unfold but is also something which remains with you long after you’ve left the theater. It’s a must watch for all men, all women, and even the grownup kids to realize why “NO means NO”. It strikes hard where it should.

[Here my review of Pink]

1. Kapoor and Sons

Shakun Batra’s Kapoor & Sons was a flawless emotional adventure which is filled with some amazing light hearted moments that will press the nostalgic buttons in your head and make you laugh and cry at the same time. Yes, it’s perfect. I even ended up giving it a 5/5. For me this was 2016’s best movie.

[Read the detailed review of Kapoor & Sons here]

Special mention: Akshay Kumar’s Airift

And when we finally got our SRK back in Fan

And of course the amazing MS Dhoni on-screen

Which of these were your favorites ? Let me know in the comments.


Dear Zindagi Review: It’s a therapy for all

Dear Zindagi is about finding life. A free life. A life Kaira (Alia Bhat) needs but doesn’t know where to find. She’s confused and complex like any other girl and refuses to let anyone in. The story tries to simplify the complexities of her life by making her ask the right questions to it.

The fact that Alia clearly over-shadows even Shahrukh in the movie speaks volume of the amount of talent she has. The vulnerability of her character through various stages of life oozes out, along with a multitude of other emotions, all of it very real.

The story is about relationships. In one scene where Alia laments in front of her Psychiatrist( or Dimag ka doctor a referred in the movie), that she’s never going to find anyone in life. Shahrukh remarks that why do we put the strain of everything on that ONE relationship? Why cannot we have a relationship for our varied emotions? This is the essence of what the film wants to talk about. That there’s more to  Zindagi than breakups or finding that “one”.

Dear Zindagi covers a lot of ground by covering the “Log kya kahenge?” part, apart from relationships with parents, siblings, friends and of course the variety of “Chairs”. (You’ll get this when you watch the movie).

Of course, you do end up with mixed feelings due to the range of questions that pop up in your head, which makes you question the narrative occasionally. Especially when you realize that everything centres around Kaira and her Zindagi. But then, this is her story. And only her Zindagi.  And that’s where Gauri Shinde’s story bounces back ad you try to fit it all together.

SRK anchors the character of Dr. Jehangir Khan with the ease and elegance with which he gives out his interviews. He underplays the character with such depth that you don’t feel anyone else could have done better.

Characters like, Jacky (played by Yashaswini Dhayama) and Fattu (played by Ira Dubey) also bring a natural charm and playfulness to the story and vivacious friendship. The character of Ali Zafar (who plays RUMI) is something that has been written really well. The story also has Kunal Kapoor who adds his own charm.

But in the end, Dear Zindagi belongs to Alia who shoulders the movie all on her own. The vibe that this girl brings along is magical and with Reema’s direction, the therapy sessions in help, not only Alia but the Audience as well.

I’m going with 3.5/5 for Gauri Shinde’s Dear Zindagi. This slice-of-life film is a therapy for mature audiences. If you’ve liked movies like Kapoor & Sons or Piku or Gauri’s other movie English Vinglish, then you’ll definitely like this one as well.


Force 2 Review: Nothing works except the action

One particular scene straight out of counter-strike, where John Abraham beats up the baddies while constantly exchanging guns as he runs out ammo, is amazingly well-shot. This POV-sequence can make you feel as if you’re in control. Apart from this, there are quite a few seriously good action scenes spread across the film.

Alas! That’s all the good stuff that one can talk about this movie. The soul of this movie lies in action and it hardly moves an inch beyond that.

The storyline allows Force 2, the sequel to the John Abraham-Genelia starrer Force, to bring sub-plots within the main plot. However, in an attempt to do so, they deviate from the central plot.
John Abraham’s friend who happens to be a RAW agent gets killed and like the usual practice, government disowns him. Now, John is out there to catch the man who orchestrated it all. However, you never feel the angst of the hero to take revenge from it. Although there is a lot of effort invested by John and is clearly visible. The reason Force worked because of the “revenge saga” and that ultimate fight between John and Vidyut Jamwal.

There is no need of Sonakshi in the movie. Literally no need of her. You can eliminate her from the film and there won’t be any effect on the storyline. I bet you can cut out the scenes from the movie and it’ll still be the same. Not that she doesn’t act well but she’s as useless to the plot as any Vestigial Organ is to the human body.

While it is important to develop the character of the villain to make things interesting, just lending screen time does not mean doing that. Going by the image of our “Mumbai police” no-nonsense approach of John, it is baffling that he can listen to so much blabbering and not smack the hell out of him. At least as an audience, I felt like smacking him to make him shut up! In the prequel, Jamwal’s character made the role his own. However, in this case, Tahir Bhasin, couldn’t add that extra dimension to his character.

The movie has been shot well and is worthy of a good action movie. But you so wished they would have tightened the plot. Even though the movie isn’t very long, the presence of multiple storylines fitted into it,you’ll end up feeling it’s too much.
The force sequel isn’t worth your money if you are not an action movie fan. Unless you can watch a movie for its action sequences, you can definitely skip this one.

I’m going with 1.5/5 for Force 2. An extra .5 just for action.


Rock On 2 Review: There’s just too much going on in the Sequel

There’s just too much going on in the second installment of Rock on which was first released 8 years back marking the debut of Farhan Akhtar. On the face of it, this looks like a completely new film. Or perhaps too many films packaged into one.

Rock on was not a unique story but its subtlety in storytelling binded it all together with some great music. The best song of this movie is the new version of the original Rock On title song, which still cannot beat the original.

The first half has been edited nicely and the build-up keeps you interested but as soon as second half starts, the melodrama suddenly overtakes the storyline. So much so that the song “Jaago…” sounds like a wakeup call for the audience.

The sequel follows the band “Magic” and the changing life of its members. The lead singer, Aditya Shroff(Farhan), lives a life in a village in Meghalaya helping farmers with a co-operative. Joe Mascaranhas (Arjun Rampal) is a reality TV judge and KD (Purab Kohli) again seems to be the guy that brings the band together to make “music” again. Why did they stop? That forms part of the central plot of the movie.

Jia’s (Shraddha Kapoor) father in the movie is a well-known Music legend who disapproves of “fusion” music. While Uday (Shashank Arora of Titli fame) is a Sarod player who comes into Jia’s life and they together end up meeting the Magik band. Although Shashank seems to have been wasted or probably wasn’t needed at all!

The movie would have been sufficient had they stopped adding more to the storyline and just kept one theme as its central plot. But like many other sequels before, this one, also falls into the trap of “doing something more” than its prequel. The prequel worked because it focused on one thing, bringing the band together. Here it is not only about that (again), but bringing it together for a “cause”, then trying to tell how music isn’t limited to “one-definition”, relationships between children-parents, and a lot more. And all that in just 2 hours! Phew!

The time needed by the audience to invest in characters, especially when it comes to a drama, is missing.

What works for the movie is its acting. It is also commendable to notice the presence of local actors to provide it a refreshingly authentic look. Farhan, Arjun, Purab have done a good job. Shradha, however, ends up singing better than her acting and she appears out of frame in many of the scenes. The best scene of the movie is perhaps when a dejected Farhan after having come out of a tragedy drives around the hills. The Cinematography is amazing as well.

However, elements like these are far and few and the movie needed more of this than the over-the-top ones which have been pushed together towards the end of the movie.

Shujaat Saudagar, who dons the hat of the director for the first time, has put in the hard work to put life into the story and its characters. However, apart from the leads, the depth lacks in the characters. The presence of Abhishek Kapoor who directed the first one with perfection can be easily felt and a stark difference in approach can be seen.

I’m going with 2/5 for Rock On 2. If you’ve loved the first movie and your expectations are high, you might be disappointed. It isn’t a bad movie and is definitely a one-time watch for the acting of the ensemble cast.


Shivaaya Movie Review: A mountain might be easier to climb than watching this

Shivaaya has some of the best breathtakingly good looking shots throughout the movie, an attempt to up the action sequences where it swings pops up to superhuman level and Ajay Devgan at his best acting levels.

Unfortunately, that’s where all the good things I can talk about the movie ends. Yes, there are numerous emotionally charged scenes which are good but when they are in patches and in a 3-hour long movie, what’s the point? The problem is not only it is long, but it feels really long. As a viewer you can’t help but say, “What was the need of this scene?”. Clearly conflict between the director Ajay and the actor Ajay had troubling in cutting down the movie.

Shivaaya is about a mountaineer with superhuman skills of scaling Himalayan peaks like it was the tree in his backyard. He not only helps the Indian Army but also takes completely untrained people to trek or if it’s your 16th Birthday! Not only this, when he gets stuck in an avalanche with the leading ladies, swinging literally in a cliffhanger, he can make out with the ladies. Superhuman skills. And if all this sounds ridiculous to you, then you’re in for a treat.

Comparison with Liam Neeson’s taken were already being made and it was expected to be a Bollywood-version of Taken with added Drama. And even though you see shades of it here in the action-part and some might say even better, there’s just too much of build-up. The first half, comparatively, sails a little smoother as the story unfolds and gets your attention. However, the second half, especially the last 30-40 minutes are bluntly put, “Torturous”.

The actor Ajay has put immense effort to bring his A-game to the table but cannot say the same for direction. The casting of Ajay’s love interest in Erika Karr and his daughter (played by Abigail Eames) are appropriately essential to the storyline. But everyone else appears to have been stuffed in. In order to bring the concept of father-daughter story to the forefront, Ayesha Saigal (who debuts with this movie) and Girish Karnad have a parallel story running as well. Not just that, a forced induction of Vir Das, seems an addition that could have been not needed.

The movie might have worked better if they had tried not to do way too much in making the story complex. It is an honest attempt and filled with amazing action sequences but one can be easily disappointed, all thanks to the expectations.

Shivaaya is definitely avoidable and even if you are an Ajay Devgan fan, the length of the movie is definitely going to put you off.

I’m going with a 1.5 for Shivaaya. It’s a movie which takes too much time to preach its message and bores you out. A mountain will be easier to climb (as Devgan shows :P) than watching this.


MS Dhoni Movie Review: It’s entertaining but nowhere close to perfect

Watching the untold story unfold in a theater is an experience that takes you back in time. Back to where “tum” is “hum”. Back to a place we call home.

For every Bihar/Jharkhand native, this movie is more than just the story about MS Dhoni. It is more than being about Cricket. It is about the journey that many have lived and only a few like the man himself have succeeded in. It is about the friends who’ll stick with you in thick and thin. Your family who wishes the best for you. Where your success is everyone’s success too.

If you happen to be a Dhoni fan or have grown up in the old Bihar or the younger Jharkhand, you’ll have a ride full of goosebumps. Instead of just being a movie, this is more of a melodramatic Documentary.

The research done to make places, people and scenarios appear as real-like is tremendous and kudos to the team for choosing the right brushes to paint.

Sushant Singh Rajpoot is believably a good reel version of the Captain Cool and this is perhaps one of his biggest role till date. There’s nowhere you’ll feel he has not given his 100 percent in essaying the role.

Anupam Kher’s portrayal as the father strikes chord with the familiar sense of concern visible across every father’s face and the joy of success when their kids succeed.

In a particular scene when MS calls up his father and asks, “Aap khush to hai na ?”, he replies, “Khud ko galat saabit hote dekh, kaafi khush hoon”. It makes you search for your own dad in him.

Another great insight the movie gives is on how Dhoni handles the setbacks from his life and how he doesn’t allow anyone else to know what goes behind the perceived “coolness” associated with him. How he lets himself away from the crowd to process emotions and tries to hold it all in, and how that has shaped him, is baffling.

Neeraj Pandey’s MS Dhoni biopic is unlike any of his movies and yes it does have flaws. The biggest is in its editing. The effort to fit in everything ends up making the movie long. As a fan, you’d feel like more could have been added to the story, however as a regular movie-goer you’d feel that a lot could have been edited out. The purpose of few of the scenes are to highlight, Dhoni doesn’t drink or that he meets his old-colleagues even after becoming a “big sensation”. The execution here just doesn’t seem right.

Another thing that irked me was the choice of superimposing Sushant’s picture on a young Dhoni which could have easily been played by any other youngster. A case in point is the much appreciated Netflix drama- Narcos, where the real-life Pablo Escabar features in the original footage to keep the story appear real. They could have even left the real-life footage of matches untouched and it would have brought even more cheers than it actually did.

Songs are good but the addition of this many could have been avoided. The leading ladies of the film, Priyanka played by Disha Patani and Sakshi played by Kiara Advani in the movie have done their part well. Although they do appear to essay almost the same character. But maybe that’s how they both were in real life as well.

However, even with all this, it does click the boxes of being an entertaining movie. The movie doesn’t bore you at any point in time. Neither the pace nor the content makes you take your eyes off. Even the authenticity of the accent and the life in general always keeps you hooked.

MS Dhoni: the untold Story is entertaining even with editing issues, gets you high and gives access to what goes in the mind of one of the most successful Indian Captain. Watch it for the entertainment value it brings with it. It is a good attempt to bring out the untold story of the Cricketer’s life but could have been perfect.

I’m going with a 3/5 for Ms Dhoni: The Untold Story. Go ahead and watch it. It’s Entertaining but nowhere close to being perfect.



Pink Movie Review: Why Pink is a must watch!

Pink Movie Review: Why Pink is a must watch!

The best thing about Pink is that it isn’t melodramatically over-zealous nor does it solely rely on the emotional appeal of the subject at play. It captures the deeply entrenched male chauvinism of our society subtly and yet packs a powerful punch. The message isn’t just another footnote in the ending but the entire movie itself.


Powerful performances from Tapsi Pannu (who plays the role of Meenal) and the seasoned Amitabh Bachchan who bests his Piku and Wazir performance. Kirti Kulari (plays the role of Falak in Pink), who had previously acted in Shaitan, also adds in a powerful performance.

Related: You can check Amitabh’s Piku and Wazir reviews here

The movie’s story follows an after-concert party-gone-wrong resulting in an assault case filed against the “outgoing” and “independent” girls. Pink is about the struggle of women against law (and society) and how a retired lawyer, who’s battling his own illness, comes to their rescue.

The story isn’t limited to the plight of the girls but is also about the society’s reactions. Reactions, deeply embedded with chauvinism, directed against them. It describes the general perception of our men-centric society and how they measure the ‘character’ of the women by the length of the clothing she chooses to wear. This attitude has seeped too deep in our society and has made even the women become part of it. This, among other things, is what Pink tries to uncover.

The film is a mirror for the society and to every viewer to watch and introspect. How loosely used terms, for e.g., calling every random girl a “slut” (or an equivalent term in their own regional language) just based on what they wear, how they speak or whom they chose to befriend, is bizarre.

Apart from the story, the strong performances, and the message, there are a few issues that did irk me. Is the world around so superficial that no one comes to stand alongside the girls in this fight? Sure we as a society have deeply rooted favoritism for men but does everyone lack even this much of an empathy towards the female gender?

Definitely, the makers might not have wanted to tread down the same path of media activism and public outcry and the strong story doesn’t let you think of any of it. More than anything the way every emotion, frustration and the pain, has been captured and brought out by the characters, is powerful.

This happens to be Aniruddha Roy Chowdhury’ first Hindi movie and I’m intrigued to start watching his Bengali movies. Yes, Pink is that good.

Any movie which has Shoojit Sarcar’s name attached naturally adds certain expectations and each time he surpasses those. Credits to Ritesh Shah for a binding story and screenplay. Interestingly, we are only shown as to “what actually happened that night” in the end credits. This keeps us, as viewers, to keep questioning the narrative and be involved.

The movie Pink makes you think of the society, while you’re watching it, but also makes you take away a part of it, long after you’ve left the theater. Pink is a must watch for all men, all women, and even the grown-up kids to realize why “NO means NO”. It strikes hard where it should.

Final Ratings: Pink Movie Review

I’m going with 4/5 for Aniruddha Roy Chowdhary’s Pink. Without a doubt, it’s a must watch. Go catch it in a theater near you. It is hauntingly tensed and wakes you up with a strong message.

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